Coronavirus Crafts: J at the temple

So I let J choose, between two pictures, what I would paint for her birthday. She chose the one of K and J splashing in puddles. This was the other option. And Aria stood by her 3-year-old's choice, but we both knew that Aria wanted to see this one in watercolor. Well, it just so happens that Mother's Day isn't that far away from J's birthday, so I just did both. 

Happy Mother's Day, Aria!

I did not expect the temple to be so hard to draw! I guess I don't have a lot of experience drawing architecture, and somehow doing it at a slight angle is infinitely more difficult than doing it straight on. But I think it came together pretty well.  

Does the quality of the watercolor paint have something to do with the vibrancy of the color? The slightly higher-quality set I got when I was 12  (or maybe 14) is essentially dried out at this point, though I can still use some of it. (That's the magic of watercolor.) The new set I have was much cheaper and lower quality and I've noticed naturally brighter hues. But for a tropical Hawaii scene, bright colors really fit.  

Yellow highlight on the top of the bushes. Darker green detail. 

The sidewalk and her cute little shadow. I felt a lot better about the stairs this time, but maybe that's because there's only really one. 

I was very carefree with the sky. Part of that is because the original photo portrays a fairly washed-out or too-light sky, so I knew it would be up to my artistic interpretation anyway. I liked the thought of capturing movement and change in the sky, since that's what I've usually experienced in Hawaii.

Goodness, these windows were difficult. They had to be very small, very even, and very symmetrical. And they all had to be like that. Even though it's just a handful of rectangles, I think it was the hardest part of painting this piece.

I added the rest of the detail to the temple. I was a little at a loss for how to depict the relief sculpture at the front of the temple. It's too far away to show in great detail, but it still has to look purposeful. So I looked at the relief sculpture and narrowed it down to the most basic shapes: lines, curves, circles, and L-shapes. Then I painted those. 

Also, J looks like a cute little ghost child here.

Skin color is always a bit of a hit or a miss, and there are more highlights and shadows than you'd think. I think this came out fairly well. 

Her dress is mainly pink with some variegated pink-and-orange tulle. I tried to capture that in the little folds of the dress. 

J has lovely blond hair that curls naturally in her humid Hawaiian home. I tried to copy over as much life and spontaneity and color into her hair as possible without making it too dark. 

The letters on the temple were another tricky part. I know that they read "Holiness to the Lord -- The House of the Lord," but the perspective of this painting places the letters too far in the background. The viewer shouldn't be able to read the phrase on the temple. However, the lines should look like the phrase even if they aren't clear enough to really read. So I wrote out the phrase on piece of scrap paper in a larger scale, imagined the essential elements of the letters and word groups, and wrote that. It worked out well, so I added it to the temple. It could probably be centered better, but it's not bad. 

Finished, scanned product.